[88] Agawu, Representing African Music: Postcolonial Notes, Queries, Positions (New York: Routledge, 2003), 6.
[89] Weltmusik: Bj?rn Heile, ‘Weltmusik and the globalization of new music’, in Heile (ed.), The Modernist Legacy: Essays on New Music (Farnham: Ashgate, 2009), 101–21; Schoenberg on the supremacy of German music: Hans Heinz Stuckenschmidt, Arnold Schoenberg: His Life, World and Work (London: Calder, 1977), 277.
[90] Chou, ‘East and West, old and new’, Asian Music 1/1 (1968–9), 19–22, and ‘Asian esthetics and world music’, in Harrison Rykert (ed.), New Music in the Orient (Buren: Frits Knupf, 1991), 177–87 [177].